Posts by Visionary
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Hier der etwas ausführlichere englische Deadline Artikel auf den sich die Ösi Seite bezieht.
Michael Jackson Biopic ‘Michael’ Could Be Split Into Two Parts; Release Date In Flux – The DishThe Michael Jackson biopic 'Michael' could be split into two parts as its studio Lionsgate mulls a release date change.deadline.com -
Die beiden Songs finde ich top, obwohl beide laut Bottrell nie veröffentlichbare, unfertige Arbeitskopien sind.
Hast du das eine Video vom Sundberg Leak gesehen, wo das Studiopersonal zu einem deutlichen feinpolierten Mix von MB rumalbert? Die Version hätte ich gerne auf dem 1991er Dangerous Album gesehen.
Kannte ich noch nicht. Geht für mich um den Stil der Musik / Instrumente / Stimmung. Genau wie fast alle der Loren-Produktionen. Das ist so ein hardcore belanglos weichgespühlter Fetze-Funky-Pop-Gedüdel-Sound. Schwer zu ertragen für mich.
Wie auch immer. Hat jeder so seinen Geschmack. -
Ich finde, Teddy hat anstelle der Gurken paar Häufchen hinterlassen.
Joar.. ein paar sind "Album Songs" (She drives me wild, Can't let her get away). Aber immer noch besser als Monkey Business oder If You Don't Love Me. Bei denen bekomm ich echt fremdschäm-Wallungen.
Someone Put Your Hand out ausgenommen. Für mich der beste aller Outtakes. -
Interessant. Aber bloß gut dass ein paar der Gurken noch entfallen sind.
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Gibt’s schon hier 😉
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Australier Damien Shields geht den gefälschten 3 Songs (den "Cascio Songs") vom 2010'er "Michael" Album auf den Grund.
Sehr spannend, sehr ausführlich und mit vielen neuen Zeugen und Details.
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Alle 13 Episoden hier:
https://www.youtube.com/@FakingMichaelPodcast/videos
Auch auf Spotify (und anderen Podcast Plattformen):External Content open.spotify.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy. -
erster Teil:
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Möchte hier jemand diese 3 CDs haben? (Leichte Gebrauchsspuren)
Gratis abzugeben, bräuchte nur das Geld fürs Porto (2,55€ für eine Warensendung).
Bei Interesse bitte PN schreiben.
(Wenn vergeben, schreibe ich hier ein Update.) -
Schade, dass er zum Ende so ein verbitterter Kauz geworden ist.
Trotzdem natürlich Respekt für die Lebensleistung! RIP -
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Hab bei den Songs immer direkt Do The Bartman im Ohr...
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External Content www.youtube.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
The MJCast 162: Bob Jenkis SpecialQuoteBob Jenkis, award-winning filmmaker and editor, joins Jamon Bull and Paul Black for an in-depth interview about his career and his work with Michael Jackson.
Jenkis is an icon in the world of music videos, film and advertising, and is known for shaping the look of modern film editing. Working in the industry since before the dawn of MTV, he has edited clips and cut music videos for an incredibly wide range of music legends, including Janet Jackson, Madonna, Prince, Aretha Franklin, Stevie Wonder, Quincy Jones, James Brown, and many, many more. He has also been deeply involved in the production of large-scale network television specials and concerts.His long-running relationship with Michael Jackson began in the early 1990s, when he made spots for the “Dangerous” album—work which was used later as the opening to Jackson’s European Tour, his “Live In Bucharest” concert film, and was included in two compilations of music videos under the title “Brace Yourself.” Jenkis also edited “Live from Bucharest”, an epic task he completed in only 10 days before it aired on HBO. He continued to work on a number of projects for the King of Pop over the years including never-before-seen versions of Ghosts and the HIStory teaser, and concluded his time working with Michael by consulting on promo spots for “This Is It” just months before Jackson’s passing in 2009.
In this deep-dive chat, Jamon and Paul get the inside scoop on all of these incredible moments in Michael Jackson history, as well as rare insights into the technical elements of these massive projects.
External Content www.youtube.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.The MJCast 163: Season Nine Christmas Special
QuoteTaj Jackson joins Jamon Bull, Elise Capron, Charlie Carter, and Charles Thomson to celebrate the holidays and reflect on this past year… Welcome to The MJCast’s ninth annual Christmas special!
The crew discusses the year that was, including the final version of the Thriller40 documentary; Marcos Cabota’s problems with finding a distributor for his own Thriller documentary, Sonic Fantasy; a major auction of Dick Zimmerman’s Thriller album cover test Polaroids and camera; and drama around a digital release of The Jackson 5’s first-ever recording. Plus, the team covers updates on MJ: The Musical, the Robson and Safechuck court cases, the MJ biopic, and Taj shares the latest developments on his docuseries project, as well as insights into the happenings within both the Jackson family and fan community circles.
Participants
• Taj Jackson (Donate to Taj’s docuseries, Re-Righting HIStory, and subscribe to updates here.)
• Jamon Bull
• Elise Capron
• Charlie Carter
• Charles ThomsonDiscussion Topics
• Thriller 40 documentary has been released.
• Marcos Cabota reveals more detail as to why he’s found releasing Sonic Fantasy problematic.
• Unseen Michael Jackson Thriller album cover photos have been auctioned. (You can hear our interview with Dick Zimmerman, who took the photos, here.)
• The Jackson 5’s first ever recordings were recently released digitally, and the Estate is not happy.
• ‘MJ: The Musical’ run extended in London, and now coming to Sydney, Australia!
• An update on Taj’s docuseries.
• Wade and James drop Finaldi.
• Biopic shooting and scheduled for 2026 release. -
Und dies ist nicht nur in Deutschland oder dem Amiland so. Warum hat man sich nicht bemüht die Doku in Ländern, wo diese ausgestrahlt wurde, auf einem der meistgesehen Sender zur Primetime zu senden?
Man kann ja nicht sagen, um was man sich bemüht hat. Kann mir aber auch nicht vorstellen, dass ein großer deutscher Sender das nahe der Primetime senden würde wollen. Michael ist einfach zu verbrannt. Primetime-würdig wäre nur eine Doku die im LN Stil nochmal einen draufsetzt. Vielleicht ändert ja das Bio-pic wieder etwas daran.