The MJCast Episode 089 – John Barnes Special


  • October 14, 2018

    The MJCast Episode 089 - John Barnes Special


    The MJCast’s Elise Capron and Jamon Bull are honoured to interview renowned musician, arranger, songwriter and mixer John Barnes, who has worked with an incredibly wide range of the world’s top musicians and entertainers, including, of course, the King of Pop, Michael Jackson.


    John has been recording music since the early ’70s, and has collaborated with artists such as Marvin Gaye, The Miracles, Lionel Richie, Celine Dion, Diana Ross, and many more. He first teamed up with the Jackson family in the early ’80s, playing synthesizer and handling arrangements on The Jacksons’ Victory album. He also worked independently with Janet and Jermaine during this time.


    Captain EO and the Bad album marked the beginning of John’s deep involvement in Michael Jackson’s solo career. While Quincy Jones and Bruce Swedien were working at Westlake, John, Matt Forger, and Bill Bottrell spent their days at Michael’s private home studio at Hayvenhurst, bringing to fruition Michael’s own musical creations. John took on many different roles in the creative process. He was a musician, programmer, and developed ideas from the group up alongside Michael, including co-writing ‘We Are Here to Change the World’.


    John worked with Michael in his later years as well, and spent time with him in Bahrain following the 2005 criminal trial in which he was found not guilty. Not only was John a crucial member of MJ’s creative team, but he has also had a major impact on the popular music landscape as we know it, both as a traditional musician and with his revolutionary work with synth sound programming. Today, John continues his work in the music industry as the CEO of Innersound Studios.


    :guckstu www.themjcast.com.http://www.themjcast.com/episode-089-john-barnes-special/Apple Podcasts

  • Sowas von interessant!


    Und an den Estate: Was ist denn daran so schwierig... Katalogisiert chronologisch jeden einzelnen Schnipsel und zugehörige Versionen und Bänder und Dateien usw. und wie sie in Relation zueinander stehen , befragt die Leute die involviert waren. Ich bin mir sicher da liegen viele einzelne Fragmente von Songs rum die man keinem Song geschweige denn der richtigen Version zuordnen kann, oder sie nicht mal lesen kann weil das damalig verwendete Equipment fehlt. Das ist die einzige Möglichkeit für (artistisch) sinnvolle Veröffentlichungen und rauszufinden, was wirklich nur verworfene Ideen waren (so interessant diese auch sein mögen)

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