Hab ich bis jetzt noch nichts mitbekommen.
Michael Jackson Bad album set for re-release (Snippets S. 59)
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Bad (Afrojack Extended Mix)
Polish Promo SingleCD PRSP12-0201. Bad (Afrojack Extended Mix) 07:29
(ISRC: USSM11203552)music/lyrics: Michael Jackson
P&C 2012 Sony Music Entertainment Poland Sp. z o.o.
For Promotial Use Only Sale Or Other Transfer Is Prohibited
Must Be Returned On Demand Of The Recording CompanySony Music
Epichttp://oddworldcollection.blog…edmixpolishpromocdsi.html
Sieht gut aus, vielleicht aber auch nur ein schöner FAKE.
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Ich hatte gerade so einen Gedanken... Wäre es nicht lustig, wenn die das Bad Konzert veröffentlichen und wir stellen fest, dass Audio davon für TII benutzt wurde? Also wenn die das Multi-Chanel-mäßig aufgenommen haben und Michaels Gesang separat vom Rest haben, geht das ja ohne weiteres.
Du machst mir jetzt Angst!
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Bad (Afrojack Extended Mix)
Polish Promo SingleCD PRSP12-0201. Bad (Afrojack Extended Mix) 07:29
(ISRC: USSM11203552)music/lyrics: Michael Jackson
P&C 2012 Sony Music Entertainment Poland Sp. z o.o.
For Promotial Use Only Sale Or Other Transfer Is Prohibited
Must Be Returned On Demand Of The Recording CompanySony Music
Epichttp://oddworldcollection.blog…edmixpolishpromocdsi.html
Sieht gut aus, vielleicht aber auch nur ein schöner FAKE.
Ich kann mir nicht vorstellen das das real ist.
Denn diese Pepsi Promotion (Dosen etc) ist doch nur in der USA,oder?
Also wieso sollte man eine polnische promo pressen?????
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I Just Can't Stop Loving You 2012 Re-issue Charts
Hungarian Singles Chart #6
US Billboard Hot Singles Sales Chart#1
Japan Hot 100 #94Update:
Japan Oricon Singles Chart #39
Spanish Physical Singles Chart#1
French Singles Chart#64 -
"P&C"
...ganz schlecht. dafür gibts icons."Must Be Returned On Demand Of The Recording Company"
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Au sujet du documentaire BAD 25 réalisé par Spike Lee
Une des grandes surprises de cette campagne BAD 25 sera le documentaire réalisé par Spike Lee … Et voici pourquoi :Un montage de 20 minutes tourne depuis quelques semaines déjà, une sorte de teaser pour appâter les chaînes de télé (qui voudront diffuser la version intégrale de 90 minutes).
Ces premières images permettent d’en savoir un peu plus sur le contenu de ce film. Si le produit final est du même niveau, nous aurons alors affaire à un projet sérieux et mené de main de maître. Spike Lee, appuyé par Sony Music et les ayants droit de Michael Jackson, a convoqué les principaux acteurs de l’époque BAD. Ainsi, Glen Ballard et Greg Phillinganes racontent la naissance de Man In The Mirror. Siedah Garrett livre bien entendu sa version des faits et revient aussi sur l’enregistrement de I Just Can’t Stop Loving You. Mais en plus de ces collaborateurs cultes, d’autres intervenants, parfois moins connus du grand public, partagent également leurs souvenirs : Walter Yetnikoff, ancien PDG de CBS Records, et Larry Stessel, responsable de la promo de BAD chez Epic à l’époque, reviennent sur les coulisses de l’album. Dans une séquence, Yetnikoff évoque la création de la pochette finalement retenue. Les amateurs de témoignages plus pointus apprécieront ceux des batteurs John Robinson et Ollie E. Brown.
A l’instar des documentaires « Classic Albums » réalisés dans les années 90, celui de Lee semble s’intéresser à la création de chaque chanson et s’attarde aussi sur la réalisation des shorts films correspondants. Ces histoires sont brillamment illustrées d’images rares tirées des archives personnelles de Michael Jackson. Ces dernières permettent de découvrir comment le chanteur tombe du plafond dans le mythique clip BAD. A un autre moment, il répète un de ses dialogues avec le jeune Wesley Snipes. Jim Blashfield lève le voile sur la création du court métrage Leave Me Alone (couronné par un Grammy Award). Là encore des rushes de l’époque montrent comment la scène finale où le Roi de la Pop s’anime et s’arrache de cette île imaginaire a été tournée. Jackson est également connu pour avoir filmé ses séances d’enregistrement en studio. Quelques uns de ces moments rares font partie du montage, y compris celui où Michael Jackson passe derrière la caméra alors que Sieddah Garrett est en train de répéter Man In The Mirror devant lui…
Pour nourrir cette histoire autour de l’histoire, Lee a aussi songé à convoquer quelques artistes de la nouvelle génération comme Kanye West, Justin Bieber ou encore Chris Brown. Chacun trouvera son compte (ou pas) dans la présence de ces « special guests », mais ce choix permet de mettre en valeur tout l’aspect trans-générationnel de l’oeuvre de Jackson.
Si des questions légitimes quant à la qualité finale du DVD du BAD Tour n’ont pas encore trouvé de réponse, le documentaire réalisé par Spike Lee a tout d’un îlot riche sur lequel il fera bon revivre et découvrir de nouvelles choses sur cette glorieuse époque BAD. Stay tuned…
Richard Lecocq
http://mjdatabank.com/mjjnews/…25-realise-par-spike-lee/
ZitatAlles anzeigenÜbersetzt von Richard Lecocq in mjjc:
About Spike Lee’s BAD 25 documentary
The biggest surprise of the BAD 25 campaign should be the special documentary directed by Spike Lee ... And, well, here is why:
A reel of the documentary (20 minutes approx) was recently sent to TV stations as a teaser of the full length version (that lasts 90 minutes).
This reel tells more about the content of this film. If the final product is of the same caliber, then the whole project should be considered serious business. Spike Lee, backed by Sony Music and the Estate of Michael Jackson, called in MJ’s very close collaborators that helped him craft Thriller’s legendary follow-up: BAD. Thus, Glen Ballard and Greg Phillinganes go back to the making of Man In The Mirror. Siedah Garrett of course also tells her side of the story and also remembers the recording session of I Just Can’t Stop Loving You. But along with these cult members of the BAD gang, other key people, sometimes not that much known and exposed to the public, also share their memories: Walter Yetnikoff, former CEO of CBS Records, and Larry Stessel, former manager at Epic during the BAD era, speak about the behind the scenes of BAD. Yetnikoff tells the story of the album cover. If you are into even more in-depth comments, you should not disapointed by drummers John Robinson and Ollie E. Brown interviews.
Just like the documentary series "Classic Albums" produced in the 90s, the one geared by Lee seems to focus on the creation of each song and also documents the making of the corresponding short films. All these stories are brilliantly illustrated with rare footage from Michael Jackson’s personal archives. These rare clips show how the singer managed to come down the ceiling as seen in the legendary BAD music video. He is also shown rehearsing his part with then up and coming actor Wesley Snipes. Director Jim Blashfield unveils details on the creation of the Leave Me Alone short film (a Grammy Award winner). The documentary shows how the final scene in which the King of Pop rises and escapes from the fantasy island that built its roller coasters around him.
Jackson is also known for having filmed and documented a lot of his recording sessions. Clips of these rare moments are also part of the documentary, including one of Michael Jackson’s personal home video he shot himself with Sieddah Garrett rehearsing the song Man In The Mirror in his presence ...
To help tell the story within the story, Lee also interviewed several of today’s most popular artists such as Kanye West, Justin Bieber and Chris Brown. Even if the impacts of many of these special guests on pop culture remains unsure, their presence help showcase the deep and transgenerational force of Jackson’s work.
If understandable questions about the final quality of the BAD Tour DVD remains yet unanswered (they will be when the DVD is available), the BAD 25 documentary directed by Spike Lee definitely stands out as a luxurious island on which it will be nice to land to relive and discover new things about this sacred BAD era. Stay tuned ...
Richard Lecocq
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Justin Fucking Bieber? Are you fucking kidding me?
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...the full length version (that lasts 90 minutes).
...Yetnikoff tells the story of the album cover. If you are into even more in-depth comments, you should not disapointed by drummers John Robinson and Ollie E. Brown interviews.
...to focus on the creation of each song and also documents the making of the corresponding short films. All these stories are brilliantly illustrated with rare footage from Michael Jackson’s personal archives.
...Jackson is also known for having filmed and documented a lot of his recording sessions. Clips of these rare moments are also part of the documentary, including one of Michael Jackson’s personal home video he shot himself with Sieddah Garrett rehearsing the song Man In The Mirror in his presence.
Was will man mehr?
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In der Doku ist Michael jackson mit Siedah im Studio zu sehen wie er Man in the Mirror einsingt???
Also das ist jetzt doch ein Traum oder???
*jesus*
besser gehts echt nicht mehr....
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Also wieso sollte man eine polnische promo pressen?????
Keine Ahnung.
Gibt es in Polen überhaupt Strom ?
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KÄÄÄNSKÄÄÄÄÄ!!!!
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[h=2]Michael Jackson: Epic Botching of Great Unreleased Single from “Bad” Album[/h]
Today is the third anniversary of the death of Michael Jackson. (Also the the third anniversary of Farrah Fawcett’s passing, FYI.)
Epic Records cannot get Michael’s posthumous recordings out properly. Way back I told you that Michael’s longtime engineer Bruce Swedien had one extra track from “Bad”–the same one
the late Frank DiLeo remembered as being outstanding. It was called “Don’t Be Messin’ Around.”
I wrote about it here: http://www.showbiz411.com/2009/07/02/20090702book-michael-jackson-in-the-studio-bruce-swedie.So it turns out that three weeks ago, on June 5th, Epic released “Don’t Be Messin’ Around” as the B side of the reissued “I Can’t Stop Loving You,” the original single from the “Bad” album.
I spoke to Bruce a few minutes ago. He says the track is NOT a demo, it’s the finished track. “Michael didn’t make demos. He played piano on that track. That’s the record.” Sony did not consult Swedien
about the track. They did send Spike Lee down to interview him for a video they’re doing on the “Bad’ 25th anniversary release set for…September. But for now, no publicity.What??? After all the fighting about the Cascio tracks from the “Michael” album, here was the one track everyone agreed was really Michael, was really from classic sessions, and could have been trumpeted
into a big deal. Not only has there been ZERO publicity, but also you can only buy the single at Wal-Mart, and only physically. Not digitally. In 2012. I can’t imagine why Sony/Epic/Legacy and the Michael Jackson estate
was unable to do this right. It’s like everything else with Michael Jackson’s post-death recordings. And to think Sony said it made a deal for $200 million. They’re not going to earn it back this way!(showbiz411)
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[h=2]Michael Jackson: Epic Botching of Great Unreleased Single from “Bad” Album[/h]
Today is the third anniversary of the death of Michael Jackson. (Also the the third anniversary of Farrah Fawcett’s passing, FYI.)
Epic Records cannot get Michael’s posthumous recordings out properly. Way back I told you that Michael’s longtime engineer Bruce Swedien had one extra track from “Bad”–the same one
the late Frank DiLeo remembered as being outstanding. It was called “Don’t Be Messin’ Around.”
I wrote about it here: http://www.showbiz411.com/2009/07/02/20090702book-michael-jackson-in-the-studio-bruce-swedie.So it turns out that three weeks ago, on June 5th, Epic released “Don’t Be Messin’ Around” as the B side of the reissued “I Can’t Stop Loving You,” the original single from the “Bad” album.
I spoke to Bruce a few minutes ago. He says the track is NOT a demo, it’s the finished track. “Michael didn’t make demos. He played piano on that track. That’s the record.” Sony did not consult Swedien
about the track. They did send Spike Lee down to interview him for a video they’re doing on the “Bad’ 25th anniversary release set for…September. But for now, no publicity.What??? After all the fighting about the Cascio tracks from the “Michael” album, here was the one track everyone agreed was really Michael, was really from classic sessions, and could have been trumpeted
into a big deal. Not only has there been ZERO publicity, but also you can only buy the single at Wal-Mart, and only physically. Not digitally. In 2012. I can’t imagine why Sony/Epic/Legacy and the Michael Jackson estate
was unable to do this right. It’s like everything else with Michael Jackson’s post-death recordings. And to think Sony said it made a deal for $200 million. They’re not going to earn it back this way!(showbiz411)
Sehr merkwürdige Aussagen.
Vielleicht hat der gute Bruce nichtmal die Version gehört, die jetzt veröffentlicht wurde
und denkt es wurde um die Version gehen, an der noch nach der BAD-Zeit weitergearbeitet wurde?
Michael machte keine Demos? :??Und ist der gute Roger so taub, dass er nicht hört, dass diese Version des Songs völlig zurecht nur so nebenbei verheizt wird?
Warum die Single nicht digital rauskam wundert mich allerdings auch.
Vielleicht sah man die digitalen Erfolgschancen so gering, dass man sich einen "Flop" im direkten Vorfeld des BAD25 Projects ersparen wollte?
Oder es hatte (zumindest in den USA) etwas mit dem Walmart Deal zu tun. Je exklusiver desto $... -
Amazon hat mir gerade geschrieben, dass sie die CD bereits am 14. September versenden können
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Jepp, der Release ist bei uns und in ein paar anderen europäischen Ländern (z.B. Irland) bereits am 14. September. Das ist allerdings schon recht lange bekannt.
Auch der Preis wird bei Amazon nach und nach nach unten korrigiert. Am Anfang standen da astronomische 59,99€ für die Deluxe-Edition (3CDs / 1DVD), mittlerweile steht da 42,99€. Das wird sicher noch in den 30er-Bereich reinrutschen.
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Amazon Deutschland hat nun endlich alle BAD Pakete aktualisiert. Also keine Import-Versionen mehr. Die Preise sind dadurch auch richtig schön nach unten gepurzelt
Bad - 25th Anniversary Deluxe (3 CDs + DVD) [Box-Set] für 34,99 EUR
http://www.amazon.de/Bad-25th-…B0084I9QI2/ref=pd_sim_m_1Bad - 25th Anniversary (Brilliant Box) [Doppel-CD] für 17,99 EUR
http://www.amazon.de/Bad-25th-…B0084I9QFU/ref=pd_sim_m_5
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